teaching
course material - fundamentals of acoustics for sound engineers and music producers - fundamentals of music instrument acoustics
teaching
course material - fundamentals of acoustics for sound engineers and music producers - anatomy of a sound – hearing timbre
teaching
course material - fundamentals of acoustics for sound engineers and music producers - introduction to room acoustics, room acoustics design
teaching
course material - fundamentals of acoustics for sound engineers and music producers - psychoacoustics 4 - spatial hearing
teaching
course material - fundamentals of acoustics for sound engineers and music producers - fundamentals of acoustics 3 - interactions
teaching
course material - fundamentals of acoustics for sound engineers and music producers - fundamentals of acoustics 2 - phase, sound sources
teaching
course material - fundamentals of acoustics for sound engineers and music producers - psychoacoustics 3 - perception of pitch and intervals
teaching
course material - fundamentals of acoustics for sound engineers and music producers - the overtone spectrum: definition, generation, shaping
teaching
course material - fundamentals of acoustics for sound engineers and music producers - psychoacoustics 2: perception of loudness
teaching
course material - fundamentals of acoustics for sound engineers and music producers - db or not db (introduction) - definition of the decibel
teaching
course material - fundamentals of acoustics for sound engineers and music producers - fundamentals of acoustics 1 - the sound wave
teaching
course material - fundamentals of acoustics for sound engineers and music producers - psychoacoustics 1: introduction, the ear